Instead of actively making another instantly engaging pop record like her last album, Mitski takes those high expectations and goes the other direction, making her new music more fitting to her brooding, reflective lyrics. Those who were thrilled by the contrast of dark and light on Be the Cowboy might find a bit less enthralling material on Laurel Hell. But anyone who can take Mitski’s new music at face value will appreciate her solidifying her unique approach rather than becoming a pastiche of herself. The music still sparkles, but her poignant, confessional style gives each song its purpose. More than ever before, the darkness and isolating qualities of her music and lyrics draw the listener in, and, as a whole, the album has a slow-burn build with its combination of droning moments and moody upbeat tracks.