The location update to Downton Abbey was the only surefire way to inject the formula with life, and this gamble on a changed setting paid off thanks to exceptional research on Julian Fellowes' part. First and foremost, Fellowes heightens the class dynamics beyond monetary value for blurred lines between heroes and villains. Neither the 'old money' socialites nor the 'new money' intruders are inherently good or bad, with both groups acting heroically tenacious, damningly prejudiced, and humanly complex. The clashing and interworkings of the two camps primarily drive the drama, but at the ethical crossroads of both is Marion (Louisa Jacobson), who takes the viewers' place of learning the rules of society while adhering to her moral compass. The ups and downs of NYC newcomer Bertha Russell (Carrie Coon) is equally compelling, as is the troubling navigations of Peggy Scott (Denée Benton). Aside from the complex character dynamics, The Gilded Age also has its fair share of Downtown Abbey-like visual splendor and scandalous drama. With a CGI-composite of period detail and many accurate historical references, Fellowes and directors Michael Engler and Salli Richardson-Whitfield top off the intrigue to an already thrilling new series already renewed for a second season.
Rating: 9/10
★★★★★★★★★☆