Jackson and Fishback have an enjoyable back-and-forth dynamic, which makes for the best draw for the show. Jackson as a veteran actor who can do no wrong paired with relative newcomer Fishback drives the dialogue, but Jackson’s slow unveiling of his life is the real purpose of the show. That aspect takes the entire six episodes, making The Last Days of Ptolemy Grey come off a bit like a six-hour movie. Mosley’s ideas are vivid, but a condensed film adaptation may have suited the proceedings.
For an elegiac narrative, The Last Days of Ptolemy Grey succeeds through its episodic structure of focusing on one character at a time. Though still maintaining the six-hour movie format and primarily utilizing Ptolemy and Fishback’s Robyn to keep the present story moving, each episode develops Ptolemy’s relationship (either past or present) with a single character. This balance of the episodic-versus-film narrative triumphs overall, but mostly because of Jackson’s magnetic screen presence even as a septuagenarian. He will absolutely be the reason why people watch the miniseries, but the surrounding elements are equally vital by the end.
Rating: 7/10
★★★★★★★☆☆☆